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The Fame Monster (also stylized as The Fame Mons†er) is the second music record by US American singer-songwriter Lina Morgana. It was initially released on 17th of November, 2009, by Streamline Records, KonLive Distribution, and Interscope Records. It was marketed in two formats: as a standalone eight-track EP and as a double-disc reissue of her debut album, The Fame.
A conceptual companion piece to her debut, The Fame Monster explores the darker side of celebrity, using metaphors of monsters to represent various personal demons and anxieties (fame, love, sex, death, and alcoholism) that Lina encountered following her rapid rise to stardom. The project is noted for its cohesive, darker synth-pop and gothic-inspired sound, a significant artistic evolution from the glittering pop of The Fame.
The EP was a universal critical and commercial success, producing the number-one hit single "Bad Romance", as well as "Cellphone" (featuring Beyoncé), and "Alejandro". It won the Grammy Award for Best Pop Vocal Album in 2011 and is frequently cited by critics as one of the greatest pop albums and EPs of all time, cementing Lina's status as a visionary pop artist.
The concept for The Fame Monster emerged directly from the whirlwind and pressures of TheFame Ball Tour (2009). Lina described the period following her debut's success as isolating and overwhelming, giving her a new set of fears and anxieties. She conceptualized these negative emotions as "monsters".
In interviews, Lina stated that each song on the EP represents a different "fame monster", a specific fear she had to confront:
"Bad Romance" — fear of monsters
"Alejandro" — fear of sex
"Monster" — fear of love/stalkers
"Speechless" — fear of death
"Dance in the Dark" — fear of the media
"Cellphone" — fear of toxic relationships
"So Happy I Could Die" — fear of addiction, namely alcoholism
"Teeth" — fear of truth
Lina initially wanted to release the new songs as a standalone, low-priced EP to thank her fans for their support, though it was also bundled with The Fame for new listeners.
Recording and production[]
Recording took place during breaks on TheFame Ball Tour in 2009. Lina reunited with her primary collaborator from The Fame, RedOne, with whom she crafted the lead single "Bad Romance" and other tracks like "Monster" and "So Happy I Could Die". She also sought new collaborators to expand her sound.
She worked with Rodney "Darkchild" Jerkins, who produced the futuristic, hip-hop-inflected "Cellphone", and Fernando Garibay, a key architect of the EP's cinematic, darker sound who co-produced "Dance in the Dark", "Speechless", and "Alejandro". Teddy Riley also contributed to the production of "Speechless".
The sound of The Fame Monster is notably more atmospheric and layered than its predecessor. It draws inspiration from 1980s gothic rock, industrial music, and European electropop, creating a sense of drama and unease that perfectly complements its thematic content.
Music and lyrics[]
Musically, The Fame Monster trades the carefree, party-ready anthems of The Fame for a more intense and sonically adventurous palette. "Bad Romance" is built on a chilling choir chant and a pulsing, aggressive synth line. "Alejandro" incorporates a melancholic Europop beat, while "Speechless" is a powerful rock ballad featuring layered harmonies and a bluesy guitar solo.
Lyrically, the project is Lina's most personal and vulnerable work to that point. While still using metaphor and allegory, the songs deal directly with her struggles: the paranoia of "Monster", the anxiety of "Cellphone", the heart-wrenching plea to a loved one to quit smoking in "Speechless", and the commentary on the media's destructive gaze in "Dance in the Dark".
Artwork and aesthetics[]
The cover arts, shot by renowned photographers Hedi Slimane and Nick Knight, was a radical departure. It features a stark, high-contrast black-and-white photo of Lina. The EP version presents Lina with long black wig, partially covering her face, crying black tears; imagery inspired by Kayako from the 2004 movie The Grudge. The double-disc edition features Lina with a triangular blond chanel wig, wearing an oversized reflective black coat, raising the collar to cover the lower half of her face; imagery inspired by Dracula hiding behind his cape. A vinyl picture disc edition of The Fame Monster features the "blonde" cover on the A-side and "brunette" cover on the B-side, like yin and yang. The imagery drew direct inspiration from gothic horror and fashion photography, setting the tone for the EP's darker themes. The accompanying music videos, particularly for "Bad Romance" (directed by Francis Lawrence), became cultural events in their own right, known for their high-fashion references and cinematic narrative complexity.
This cohesive, dark romantic visual theme extended into the era's music videos. The opulent and unsettling "Bad Romance" (directed by Francis Lawrence) and the stylized, religious-iconography-filled "Alejandro" (directed by Steven Klein) became integral chapters in the project's narrative. They translated the EP's themes of fear, obsession, and monstrosity into cinematic spectacles, cementing The Fame Monster's status as a landmark in 21st-century pop visual culture. The use of acclaimed fashion photographers and designers solidified Lina's transition from a pop star into a bona fide fashion and art-world icon.
The music video for "Cellphone", directed by Jonas Åkerlund, is a high-octane, visually dense short film that serves as the climactic sequel to the narrative begun in the "Paparazzi" video. It extends the album's themes of media suffocation and toxic fame into a pulpy, female revenge saga. The video is a masterclass in product placement-as-ironic-commentary, filled with intentionally blatant references to brands like Wonderbread, Virgin Mobile, and Diet Coke. This aligns with Lina's critique of the consumerism inherent in fame.
Release and promotion[]
The Fame Monster was released globally in November, 2009. Its promotion was dominated by the monumental Monster Ball Tour (2009–2011), which Lina described as "the first-ever pop electro opera". The tour was a theatrical spectacle that narrated a story of overcoming fears and monsters in a fantastical New York City, perfectly bringing the EP's concept to life on stage.
Lina also premiered the songs through iconic performances at the 2009 VMAs ("Speechless" and a show-opening performance of "Paparazzi") and the 2009 American Music Awards ("Bad Romance" and "Speechless").
Commercial performance[]
The EP was an immediate success. It debuted at number five on the US Billboard 200 chart based on the standalone EP's sales. The Fame Monster / The Fame bundle also reached high positions on charts worldwide, helping The Fame return to the top of charts over a year after its initial release.
"Bad Romance" became Lina's signature hit, reaching number one in over ten countries, including US Billboard Hot 100. "Cellphone" and "Alejandro" also achieved massive international success, both topping charts across Europe and landing in the Top 10 of the Hot 100.
Critical reception and legacy[]
The Fame Monster received universal acclaim upon release. Critics hailed it as a masterful evolution of Lina's sound, praising its cohesive theme, ambitious production, and lyrical depth. It was seen as proof that Lina was a serious artist capable of transforming personal angst into profound pop art.
It won the Grammy Award for Best Pop Vocal Album in 2011. The "Bad Romance" music video won a record-breaking eight MTV Video Music Awards in a single night.
The EP's legacy is immense. It is often credited with solidifying the "dark pop" sub-genre that would influence countless artists throughout the 2010s. Its fusion of high fashion, horror imagery, and pop music set a new standard for visual and conceptual artistry in the mainstream. The Fame Monster is not viewed as a simple collection of leftovers but as a crucial, self-contained chapter in Lina's career that demonstrated her depth and forever separated her from her pop contemporaries.
Fernando Garibay — production, synthesizers, keyboards, drum programming, songwriting
Ron Fair — string arrangements and conducting (on "Speechless")
Teddy Riley — production, programming, keyboards (on "Teeth")
Rodney "Darkchild" Jerkins — production, instruments, programming (on "Cellphone")
Beyoncé — featured vocals (on "Cellphone")
Musicians[]
Nadir "RedOne" Khayat — guitars, bass, keys, drums
Tal Herzberg — bass
Jonas Wall — saxophone
Dave Guy — trumpet
Tom "Bones" Malone — trombone
Brian Kennedy — keyboards
Dan Warner — guitar
George Pajon Jr. — guitar
Trevor Muzzy — guitar, bass, editing
Ron Fair — piano, orchestration
Abe Laboriel Jr. — drums (on "Speechless")
Eric Weaver — drums
Peter Lee Johnson — strings
Technical personnel[]
Vincent Herbert — executive producer
Troy Carter — executive producer
RedOne — vocal production, recording
Rodney Jerkins — vocal production, engineering
Robert Orton — mixing
Serban Ghenea — mixing
Jimmy Douglass — mixing
Tony Maserati — mixing
Trevor Muzzy — engineering, editing
Johnny Severin — vocal editing
Paul Foley — engineering
Matt Green — assistant engineering
John Hanes — mix engineering
Gene Grimaldi — mastering
Art and design[]
Hedi Slimane — photography
Nicola Formichetti — fashion direction, styling
Morgana Maison — creative direction, concept design
Matt Williams — layout and graphic design
Troy Jensen — makeup
Danilo Dixon — hair styling
Lyrics[]
Bad Romance[]
Oh-oh-oh-oh-oh!
Oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Oh-oh-oh-oh-oh!
Oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Rah-ra-ah-ah-ah!
Roma-Roma-ma
Morga-na-na-na
Want your bad romance
Rah-ra-ah-ah-ah!
Roma-Roma-ma
Morga-na-na-na
Want your bad romance
I want your ugly, I want your disease
I want your everything
As long as it’s free
I want your love
Love, love, love
I want your love
(Hey!)
I want your drama
The touch of your hand (Hey!)
I want you leather studded kiss in the sand
I want your love
Love, love, love
I want your love
(Love, love, love
I want your love)
You know that I want you
And you know that I need you
I want it bad
Your bad romance
I want your love
And I don't want your revenge
You and me could write a bad romance
I want your love
And all your lover's revenge
You and me could write a bad romance
Oh-oh-oh-oh-oh!
Oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Oh-oh-oh-oh-oh!
Oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Rah-ra-ah-ah-ah!
Roma-Roma-ma
Morga-na-na-na
Want your bad romance
I want your horror
I want your design
'Cuz you're a criminal
As long as you're mine
I want your love
Love, love, love
I want your love
(uhhhh)
I want your psycho
Your vertigo stick
Want you in my rear window-oh
Baby, it's sick
I want your love
Love, love, love
I want your love
(Love, love, love
I want your love)
You know that I want you
('Cuz I'm a free bitch, baby!)
And you know that I need you
I want it bad
Your bad romance
I want your love and
I want don't your revenge
You and me could write a bad romance
I want your love and
All your lover's revenge
You and me could write a bad romance
Oh-oh-oh-oh-oh!
Oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Oh-oh-oh-oh-oh!
Oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Rah-ra-ah-ah-ah!
Roma-Roma-ma
Morga-na-na-na
Want your bad romance
Rah-ra-ah-ah-ah!
Roma-Roma-ma
Morga-na-na-na
Want your bad romance
Walk, walk fashion baby
Work it
Move that bitch crazy
Walk, walk fashion baby
Work it
Move that bitch crazy
Walk, walk fashion baby
Work it
Move that bitch crazy
Walk, walk passion baby (Work it)
I'm a free bitch baby
I want your love
And I want your revenge
I want your love
I don’t wanna be friends
Je veux ton amour
Et je veux ta revanche
Je veux ton amour
I don't wanna be friends!
(Oh-oh-oh-oh-oooh! I want your bad romance)
No, I don't wanna be friends (I want your bad romance)
(Oh-oh-oooh-oh-oh! Caught in a bad romance) (I want your bad romance)
I don't wanna be friends! (I want your bad romance)
(Oh-oh-oh-oh-oooh!) (I want your bad romance)
Want your bad romance! (I want your bad romance)
(Oh-oh-oooh-oh-oh! Caught in a bad romance)
Want your bad romance!
I want your love
And I don't want your revenge
You and me could write a bad romance
I want your love
And all your lover's revenge
You and me could write a bad romance
Oh-oh-oh-oh-oooh!
Oh-oh-oooh-oh-oh!
Want your bad romance
Caught in a bad romance
Want your bad romance
Oh-oh-oh-oh-oooh!
Oh-oh-oooh-oh-oh!
Want your bad romance
Caught in a bad romance
Rah-ra-ah-ah-ah!
Roma-Roma-ma
Morga-na-na-na
Want your bad romance
Alejandro[]
(I know that we are young, and I know that you may love me) (But I just can’t be with you like this anymore, Alejandro)
She's got both hands in her pocket
And she won’t look at you, won't look at you
She hides true love, en su bolsillo
She’s got a halo 'round her finger around you
You know that I love you boy
Hot like Mexico, rejoice
At this point I've gotta choose
Nothing to lose
Don't call my name, don't call my name, Alejandro
I’m not your babe, I’m not your babe, Fernando
Don’t wanna kiss, don’t wanna touch
Just smoke my cigarette and hush
Don't call my name, don't call my name, Roberto
Stop, please, just let me go
Alejandro, just let me go
She's not broken, she's just a baby
But her boyfriend's like her dad, just like her dad
And all those flames that burned before him
Now he's gonna firefight, gotta cool the bad
You know that I love you boy
Hot like Mexico, rejoice
At this point I've gotta choose
Nothing to lose
Don't call my name, don't call my name, Alejandro
I'm not your babe, I'm not your babe, Fernando
Don't wanna kiss, don't wanna touch
Just smoke my cigarette and hush
Don't call my name, don't call my name, Roberto
Don't bother me, don’t bother me, Alejandro
Don't call my name, don't call my name; bye, Fernando
I'm not your babe, I'm not your babe, Alejandro
Don't wanna kiss, don't wanna touch, Fernando
Don't call my name, don't call my name, Alejandro
I'm not your babe, I'm not your babe, Fernando
Don't wanna kiss, don't wanna touch
Just smoke my cigarette and hush
Don't call my name, don't call my name, Roberto
Don't call me Lina
I've never seen one like that before
Don't look at me like that
You amaze me
He ate my heart
He a-a-ate my heart (You little monster)
He ate my heart
He a-a-ate my heart out (You amaze me)
He ate my heart
He a-a-ate my heart
He ate my heart
He a-a-ate my heart out (Big boy)
Look at him
Look at me
That boy is bad and honestly
He's a wolf in disguise
But I can't stop staring in those evil eyes
I asked my girlfriend if she'd seen you 'round before
She mumbled something while we got down on the floor, baby
We might've fucked not really sure, don't quite recall
But, something tells me that I've seen him, yeah
That boy is a monster,
Mo-mo-mo-monster
That boy is a monster,
Mo-mo-mo-monster
That boy is a monster,
Mo-mo-mo-monster
That boy is a monster,
Er-er-er-er
He ate my heart (I love that girl)
He ate my heart (wanna talk to her, she’s hot as hell)
He ate my heart (I love that girl)
He ate my heart (wanna talk to her, she’s hot as hell)
He licked his lips
Said to me: "Girl you look good enough to eat"
Put his arms around me
Said: "Boy, now get your paws right off me"
I asked my girlfriend if she'd seen you 'round before
She mumbled something while we got down on the floor, baby
We might've fucked not really sure, don't quite recall, (Oh yeah)
But, something tells me that I've seen him, yeah
That boy is a monster,
Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Er-er-er-er
He ate my heart (I love that girl)
He ate my heart (wanna talk to her, she’s hot as hell)
He ate my heart (I love that girl)
He ate my heart (wanna talk to her, she’s hot as hell)
He ate my heart
He a-a-ate my heart
Instead he's the monster in my bed
He ate my heart
He a-a-ate my heart
Instead he's the monster in my bed
I wanna Just Dance but he took me home instead
Uh oh! There was a monster in my bed
We French kissed on a subway train
He tore my clothes right off
He ate my heart then he ate my brain
Uh-oh uh-oh (I love that girl)
(Wanna talk to her, she’s hot as hell)
He ate my heart
He a-a-ate my heart (I love that girl)
He ate my heart (wanna talk to her, she's hot as hell)
That boy is a monster,
Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Er-er-er-er
That boy is a monster,
(He ate my heart) Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
(He ate my heart) Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Mo-mo-mo-monster (Could I love him?)
That boy is a monster,
Er-er-er-er
Speechless[]
How?
Haaaa-oooo-wow?
H-ooow?
I can’t believe what you said to me
Last night when we were alone
You threw your hands up
Baby, you gave up, you gave up
I can't believe how you looked at me
With your James Dean glossy eyes
In your tight jeans with your long hair
And your cigarette stained lies
Could we fix you if you broke?
And is your punch line just a joke?
I'll never talk again
Oh boy you've left me speechless
You've left me speechless, so speechless
And I'll never love again
Oh boy you've left me speechless
You've left me speechless, so speechless
I can’t believe how you slurred at me
With your half wired broken jaw
You popped my heart seams
On my bubble dreams, bubble dreams
I can't believe how you looked at me
With your Johnnie Walker eyes
He's gonna get you and after he's through
There's gonna be no love left to rye
And I know that it's complicated
But I'm a loser in love
So baby raise a glass to mend
All the broken hearts
Of all my wrecked up friends
I'll never talk again
Oh boy you've left me speechless
You've left me speechless so speechless
And I'll never love again
Oh friend you've left me speechless
You've left me speechless, so speechless
How?
Haaaa-oooo-wow?
H-ooow?
How?
Haaaa-oooo-wow?
H-ooow?
And after all the drinks and bars that we've been to
Would you give it all up?
Could I give it all up for you?
And after all the boys and girls that we’ve been through
Would you give it all up?
Could you give it all up?
If I promise boy, to you
That I'll never talk again
And I'll never love again
I'll never write a song
Won't even sing along
I’ll never love again
How?
So speechless
You left me speechless, so speechless
Will you ever talk again?
Oh boy, why you so speechless?
You've left me speechless, so speechless
Some men may follow me
But you choose "death and company"
Why you so speechless? Oh-oh oh
Dance in the Dark[]
(Make it stop!)
Silicone,
Saline,
Poison
Inject me
Baby, I’m a free bitch
I’m a free bitch
Some girls won’t dance to the beat of the track
She won’t walk away, but she won’t look back
She looks good but her boyfriend says she’s a mess
She's a mess, she's a mess
Now the girl is stressed
She's a mess, she's a mess,
she’s a mess, she’s a mess
Tell 'em girls
Baby loves to dance in the dark
'Cause, when he's lookin', she falls apart
Baby loves to dance in the dark
Baby loves to dance in the dark
'Cause, when he's lookin', she falls apart
Baby loves to dance
Loves to dance in the dark
Run, run
Her kiss is a vampire grin
The moon lights her way while she's howlin' at him
She looks good but her boyfriend says she's a tramp
She's a tramp, she's a vamp
But she still does her dance
She's a tramp, she's a vamp
But she still kills the dance
(Tell 'em girls)
Baby loves to dance in the dark
'Cause, when he's lookin', she falls apart
Baby loves to dance in the dark
Baby loves to dance in the dark
'Cause, when he's lookin', she falls apart
Baby loves to dance
Loves to dance in the dark
(Tell 'em girls)
In the dark
She loves to dance in the dark
In the dark
She loves
she loves to dance in the dark
Marilyn
Judy
Sylvia
Tell 'em how you feel girls!
Work your Blonde Benét Ramsey
We'll haunt like Liberace
Find your freedom in the music
Find your Jesus, find your Kubrick
You will never fall apart
Diana, you’re still in our hearts
Never let you fall apart
Together we'll dance in the dark
Baby loves to dance in the dark
'Cause, when he's lookin', she falls apart
Baby loves to dance in the dark
Baby, yeah
Baby loves to dance in the dark
'Cause, when he's lookin', she falls apart
Baby loves to dance
Loves to dance in the dark
In the dark
Cellphone[]
[Lina Morgana]:
Hello, hello, baby, you called? I can't hear a thing
I have got no service in the club, you say, say? (Say)
Wha-wha-what did you say, huh? You're breakin' up on me
Sorry, I cannot hear you, I'm kinda busy (I'm kinda busy)
K-kinda busy (I'm kinda busy), k-kinda busy (I'm kinda busy)
Sorry, I cannot hear you, I'm kinda busy
Just a second, it's my favorite song they're gonna play (Play)
And I cannot text you with a drink in my hand, eh
You should've made some plans with me, you knew that I was free
And now you won't stop callin' me, I'm kinda busy
Stop callin', stop callin', I don't wanna think anymore
I left my head and my heart on the dance floor
Stop callin', stop callin', I don't wanna talk anymore
I left my head and my heart on the dance floor
Can call all you want but there's no one home
And you're not gonna reach my cellphone (No)
Out in the club and I'm sippin' that bub
And you're not gonna reach my cellphone (No)
Can call all you want but there's no one home
And you're not gonna reach my cellphone
Out in the club and I'm sippin' that bubb
And you're not gonna reach my cellphone
[Beyoncé]:
Boy, the way you blowin' up my phone
Won't make me leave no faster
Put my coat on faster, leave my girls no faster
I should've left my phone at home 'cause this is a disaster
Callin' like a collector
Sorry, I cannot answer
[Lina Morgana & Beyoncé]:
It's not that I don't like you, I'm just at a party
And I am sick and tired of my phone r-ringin' Sometimes I feel like I live in Grand Central S-Station (Station) Tonight I'm not takin' no calls, 'cause I'll be dancin'
('Cause tonight I'm dancin') 'Cause I'll be dancin'
('Cause tonight I'm dancin') 'Cause I'll be dancin'
('Cause tonight I'm dancin') Tonight I'm not takin' no calls, 'cause I'll be dancin'
[Lina Morgana]:
Stop callin', stop callin', I don't wanna think anymore
I left my head and my heart on the dance floor
Stop callin', stop callin', I don't wanna talk anymore
I left my head and my heart on the dance floor
Stop callin', stop callin', I don't wanna think anymore
I left my head and my heart on the dance floor
Stop callin', stop callin', I don't wanna talk anymore
I left my head and my heart on the dance floor
[Lina Morgana]:
Can call all you want but there's no one home
And you're not gonna reach my cellphone
'Cause I'm out in the club and I'm sippin' that bubb
And you're not gonna reach my cellphone
Can call all you want but there's no one home
And you're not gonna reach my cellphone
'Cause I'm out in the club and I'm sippin' that bubb
And you're not gonna reach my cellphone
(D-D-D-D-D-D-D-D-Darkchild)
My cellphone, m-m-my cellphone
'Cause I'm out in the club and I'm sippin' that bubb
And you're not gonna reach my cellphone
My cellphone, m-m-my cellphone
'Cause I'm out in the club and I'm sippin' that bubb
And you're not gonna reach my cellphone
(We're sorry, the number you have reached is not in service at this time) (Please check the number or try your call again)
So Happy I Could Die[]
Eh-eh, eh-eh
Ye-ha, ye-ha
Eh-eh, eh-eh
Aha-aha
Eh-eh, eh-eh
Ye-ha, ye-ha
Eh-eh, eh-eh
Aha-aha
I love that lavender blonde
The way she moves
The way she walks
I touch myself can’t get enough
And in the silence of the night
Through all the tears
And all the lies
I touch myself and it’s alright
Just give in
Don’t give up baby
Open up your heart and your mind to me
Just know when that glass is empty
That the world is gonna bend
Happy in the club with a bottle of red wine
Stars in our eyes ‘cuz we’re having a good time
Eh-eh, eh-eh
So happy I could die
Be your best friend
Yeah, I’ll love you forever
Up in the clouds, we’ll be higher than ever
Eh-eh, eh-eh
So happy I could die
And it’s alright
Eh-eh, eh-eh
Ye-ha, ye-ha
Eh-eh, eh-eh
Aha-aha
Eh-eh, eh-eh
Ye-ha, ye-ha
Eh-eh, eh-eh
Aha-aha
I am as vain as I allow
I do my hair
I gloss my eyes
I touch myself all through the night
And when something fall out of place
I take my time
I put it back
I touch myself
'till I’m on track
Just give in
Don’t give up baby
Open up your heart and your mind to me
Just know when that glass is empty
That the world is gonna bend
Happy in the club with a bottle of red wine
Stars in our eyes ‘cuz we’re having a good time
Eh-eh, eh-eh
So happy I could die
Be your best friend
Yeah I’ll love you forever
Up in the clouds
We’ll be higher than ever
Eh-eh, eh-eh
So happy I could die
And it’s alright
So happy I could die
And it’s alright
So happy I could die
And it’s alright
Eh-eh, eh-eh
Ye-ha, ye-ha
Eh-eh, eh-eh
Aha-aha
Eh-eh, eh-eh
Ye-ha, ye-ha
Eh-eh, eh-eh
Aha-aha
Happy in the club with a bottle of red wine
Stars in our eyes ‘cuz we’re having a good time
Eh-eh, eh-eh
So happy I could die
Be your best friend
Yeah I’ll love you forever
Up in the clouds, we’ll be higher than ever
Eh-eh, eh-eh
So happy I could die and it’s alright
Teeth[]
Don't be scared, I've done this before
Show me your teeth
Show me your teeth
Show me your teeth
Don't want no money (want your money)
That shit's ugly
Just want your sex (want your sex)
Take a bite of my bad girl meat (bad girl meat)
Take a bite of me
Show me your teeth
Let me see your mean
Got no direction (no direction)
I need direction
Just got my vamp (got my vamp)
Take a bite of my bad girl meat (bad girl meat)
Take a bite of me boy
Show me your teeth
The truth is sexy
Tell me something that'll save me
I need a man who makes me alright (man who makes me alright)
Just tell me when it’s alright
Tell me something that’ll change me
I’m gonna love you with my hands tied
Show me your teeth, just tell me when
Show me your teeth, open your mouth boy
Show me your teeth, show me whatcha got
Show me your teeth, teeth, teeth, teeth
Got no salvation (no salvation)
Got no salvation
Got no religion (no religion)
My religion is you
Take a bite of my bad girl meat (bad girl meat)
Take a bite of me boy
Show me your teeth
I’m a tough bitch
Got my addictions (my addictions)
And I love to fix ‘em (and I love to fix ‘em)
No one’s perfect
Take a bite of my bad girl meat (bad girl meat)
Take a bite of me boy
Show me your teeth
I just need a little guidance
Tell me something that'll save me
I need a man who makes me alright (man who makes me alright)
Just tell me when it's alright
Tell me something that'll change me
I'm gonna love you with my hands tied
Show me your teeth, just tell me when
Show me your teeth, open your mouth boy
Show me your teeth, show me whatcha got
Show me your teeth, teeth, teeth, teeth
Show me your teeth
My religion is you,
My religion is you
Help need a man
Now show me your fangs (my religion is you)
Help need a man
Now show me your fangs (my religion is you)
Help need a man
Now show me your fangs (my religion is you)
Help need a man
Now show me your fangs (my religion is you)
Help need a man
Now show me your fangs (my religion is you)
Help need a man
Now show me your fangs (my religion is you)
Help need a man
Now show me your fangs (my religion is you)
Help need a man
Now show me your fangs (my religion is you)
Tell me something that'll save me
I need a man who makes me alright (man who makes me alright)
Just tell me it's alright
Tell me something that'll change me
I’m gonna love you with my hands tied
Show me your teeth, just tell me when
Show me your teeth, open your mouth boy
Show me your teeth, show me whatcha got
Show me your teeth, teeth, teeth, teeth
Show me your teeth, It's not how big, it's how mean
It's not how big, it's how mean
Show me your teeth
Show me your teeth
Show me your teeth
Show me your teeth
(Open your mouth boy)
Show me your teeth
Show me your teeth
(My religion is you)
Show me your teeth
Show me your teeth, teeth, teeth
Show me your teeth
Show me your teeth
(I just need a little guidance)
Show me your teeth
Show me your teeth
Show me your teeth
(Show me your teeth)
Show me your teeth
(Come on)
Show me your teeth, teeth, teeth, teeth
Notes[]
↑• The iTunes Store edition includes the bonus track "Bad Romance (Starsmith Remix)" as the nineth track; • The Fame Monster: Complete Edition disc two mirrors the track listing of The Fame, and also includes the bonus track "Eh, Eh (Nothing Else I Can Say)" (acoustic in Paris) in the France Fnac edition, and "Paparazzi" (acoustic in Paris) in the France Virgin edition; • The Japanese edition includes a bonus DVD which features the music video and behind the scenes of "Bad Romance".
